First, we would like to point out what a pleasure it is to see visible skin texture on a magazine cover! Amanda Wellsh stars on Vogue Netherlands’ December issue and looks as stunning as ever. The Brazilian beauty is steadily racking up quite the number of Vogue covers, currently fronting Vogue Brazil’s November issue alongside Aline Weber. This time around, we see Amanda photographed by Alique, a Dutch Vogue regular, who captured the former Gucci girl in a sequined lace dress, sporting soft waves that cascade down one side of her face.
IMAGE: FACEBOOK.COM/VOGUENL VIA TFS FORUMS
Our forum members have become drained by a certain something, however. “Tired of the grey background!!” disapproved DutchHomme.
“This kind of looks like a busted Vogue Paris cover. It’s a shame they messed up her face though. Amanda is a gorgeous woman,” declared orchidee.
Is Vogue Netherlands in need of a change? Well, narcyza thinks so and posted, “Another bad cover of Vogue Netherlands this year. They need a change. A big change.”
“I wish the makeup wasn’t bringing her down, a lighter touch would have made this cover so much better imo,” suggested kokobombon.
“Although it’s a nice shot of Amanda, there’s certainly more they could have done creatively to make this cover a little more exciting. It looks a bit Vogue Paris to me but without the right fonts to make it a great cover,” wrote justaguy.
Also not completely satisfied was Miss Dalloway, who commented, “Her face is just not ‘bringing it,’ maybe it’s the angle but it doesn’t scream cover worthy to me.”
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Nicolas Ghesquière is currently killing it in his role at Louis Vuitton. The collections he’s put out since signing on with the brand have been pretty well-received, but like many designers, Ghesquière dreams of one day sitting at the head of his own label. The Wall Street Journal published a profile on the creative director today, in which he expresses that he’s been mulling over the thought of starting up a Ghesquière-branded line.
“I’d be lying if I said I didn’t want to do it,” he admitted. But don’t think he’s rushing off to sign contracts and hire staff. The designer is just getting settled at Vuitton and is taking things slow. “I would like to do it, but each thing in its time. Today I dedicate myself to Louis Vuitton without forgetting that I have wishes, desires.”
Of course, Ghesquière has a few conditions if he were ever to start a label. “If it’s to reproduce on a smaller scale what is done on a large scale, honestly, no, it’s not interesting,” he said. “And that’s not at all the way that I one day envisage launching myself, especially having experienced the biggest existing model.”
Whether Ghesquière will follow through on his dreams (we have a feeling he may) or not, we don’t doubt that a namesake brand from the designer would be worth the wait.
In what WWD has called a shopping spree, Estée Lauder has completed a trifecta of acquisitions in less than a month, adding Frédéric Malle to its portfolio. An agreement has been signed by the beauty giant to purchase Editions de Parfums Frédéric Malle in a deal that will close in early January. The brand, which was launched in 2000 and who many credit for the current artisanal fragrance movement, has an estimated worth of $16 million wholesale. Malle will join the latest brands under the Lauder umbrella, luxury skincare brand Rodin Olio Lusso and fellow artisanal fragrance brand Le Labo, which were acquired within the past three weeks.
Earlier this week, the President and CEO of Lauder told analysts, “To maintain our steady annual growth, we are driving our portfolio on two main fronts. We are strengthening and expanding our existing brands to keep them relevant in all our regions, and at the same time, we are actively seeking and nurturing the next generation with an eye to creating the next big brands of the future.”
The three newest members of the Lauder family have global luxury distribution, which is a change of course from its usual popular department store fragrances. This trio of brands are sold in global luxury markets and found at stores like Colette in Paris, Barneys New York, Liberty of London and 10 Corso Como in Milan.
Cara Delevingne is well on her way to becoming a bona fide supermodel, but don’t think that posing for pretty pictures is the height of her aspirations. As she’s made clear, Cara has Hollywood dreams and is making a push to become a full-fledged model/actress…or perhaps a model-cum-actress. The buzzy model told WWD that with all the acting projects she’s been racking up, modeling has increasingly become less of a priority for her.
“[Modeling] has definitely become more on the back burner, just because there’s no way I can work as much as I have been,” she said. “I mean, every day of my last couple of years, I’ve been modeling and now, I’ve just been doing films…I’m just going to be taking my time and doing things that I really care about, you know, parts that I really enjoy.”
Karl Lagerfeld is one of the most powerful men in fashion, and all that influence needs to be protected accordingly. Knowing Lagerfeld, he’s not going to pick any ol’ Joe to cover his neck. No, the Chanel creative director deserves better and naturally, he’s got a major hottie working his security detail. Meet Sebastien Jondeau, the guy who keeps Lagerfeld safe every day. Vogue U.K. did a shoot with the rather handsome Jondeau, quizzing him on what it takes to be a world-class bodyguard like himself.
Of course, it would be a shame for the man’s looks to go to waste, so Lagerfeld is using Jondeau to front his namesake brand this season. Watch the video above to see just exactly what Jondeau’s job entails — besides being really, really, ridiculously good-looking.
Following rumors of his departure, Marco Zanini has left his position at Schiaparelli, according to several sources at The New York Times. According to Style editor Stuart Emmrich, the designer and the house have parted ways, as per a “terse statement” the design house released today.
The house confirmed it is on the hunt for a new creative director, which it will soon announce. Apparently, things were rocky between Zanini and his employers because T magazine claims the brand outright fired the designer. “The House of Schiaparelli is looking towards its future while transcending the aesthetic codes created by Elsa Schiaparelli,” the house said in a statement. “It follows a dynamic where a contemporary spirit meets its founder’s daring personality.”